Friday, January 27, 2012

Horses in Fiction: The Horse as Plot Device

Horses as a plot device are seriously underutilized by most writers, especially those unfamiliar with the beast from day-to-day exposure to them. This is a shame, because societies that depend heavily on equines of all types in daily life are as exposed to their problems as we are to our cars breaking down. The most common equine plot problem is someone stealing the hero's horse, but that makes the action dependent on the juxtaposition of two groups of people that might actually not be plausible (not to mention that this is way overused). So, let's look at some other plot mayhem that can arise from your fictional horses, and how it could plausibly occur.
Travel delays: Just as when your car won't start, your hero can be disastrously or fortuitously delayed or stranded due to:
  • Illness: Colic is common when feed is irregular or strange/moldy or the horse doesn't get enough water. Horses also catch colds, and certain diseases can run like wildfire through a whole stable overnight. A sneezing, coughing horse might be treated like a leper by a prudent innkeeper.
  • Soreness: Unfit horses get sore backs, saddle sores, and go lame just like unfit people want to die the morning after they start their new exercise regimen. A kind rider will take this into account; an uncaring rider will make the problem worse and discover himself stranded on the trail instead of in town where he could have found himself a different mount.
  • Lameness: In rocky country a horse can easily stone-bruise a hoof, twist an ankle among the rocks, or pull off a shoe. Really bad trails or rutted roads might cause stumbling, falls, and injury, especially at higher speeds (which is all that Hollywood ever shows. When's the last time you saw the hero walking his horse anywhere?)
  • Shoes: Throwing a shoe is a perfectly legitimate reason to delay a traveler somewhere. If the shoe doesn't come off cleanly it can twist on the hoof, leaving the poor beast hobbling along with the equivalent of a broken high heel nailed to his foot. The caring rider will end up leading the horse if he values it, and look immediately for the nearest blacksmith. This, of course, slows the chase/flight considerably!
  • Stupidity: Your rider failed to tie up his horse properly, let it eat too much/too little, let it eat poisonous but yummy plants, or fell asleep with the reins in his hand and woke up to find the horse departed for parts unknown.
Death and injury: Both horse and rider are flesh-and-blood creatures, not machines. If the horse spooks and dumps the rider, any number of bad injuries can occur, from broken bones to broken skulls requiring lengthy delays or alternate forms of transport. It is also a fine excuse to introduce new characters to attend the hero.
  • Bad roads/weather: Rider is too stupid/arrogant/impatient to wait out the darkness, ice, driving rain and lames the horse, falls off a cliff, drowns in the river, etc. (Or causes poor horsey to do the same.)
  • Horse takes exception to unexpected boogeyman (bear, llama, cow, birds, charging warriors, anything strange-looking arising under its nose) and bolts over a cliff, off the road, through the trees, scraping rider off in the process. This is also a good way to get your rider lost, with consequent plot merriment.

    I love Charles M. Russell's work because he always got it right. I've been on trails just like this, and had/seen unexpected stuff happen that instantly induced terror. This painting says it all. The bear, the rocks, the panicky horses, the steep drop... ick.
  • Horse falls with rider: slick cobblestones, ice, rocky footing. Half a ton of horse landing on your leg hurts. Trust me.
  • Horse is only half-broken to start with. Unwary rider buys the beautiful beastie and discovers to his sorrow the critter bucks/bites/kicks/throws itself over backward/bolts or otherwise is unmanageable. This also works for the hero who tries to put an improperly-trained horse between the shafts to pull his wheeled conveyance. The wreck in this case is that much worse. There is no stronger bit of advice in horse trading than caveat emptor.
Economic distress: What happens when your horse/donkey/mule is your only means of earning a living? Who does this affect?
  • Farmers whose fields don't get plowed and have to wait until the kind neighbor is done with his own, which puts him late into the fields, or he struggles to pull his own plow because he can't afford a replacement. Will his family starve?
  • Carters who can't move their merchandise without a beast between the shafts. Suppose some illness ran through all the local equines? It would certainly make oxen very expensive. What is the downstream ripple effect of this guy not making his rounds?
  • Knights errant, mercenaries, cavalry of all types. Running off the enemies' stock is a great way to tip the scales in your favor, but overdone as a plot device. The sheer economic disaster of losing half the remounts can put a serious crimp in a campaign. If the ships carrying your horses to war or on some exploration of the New World sink, then what? (Aside from the sheer ghastliness of trapped horses going down with the ship.)
Many writers don't consider the "horse in the background" quietly plowing the field, packing goods to market in its panniers, or nursing foals in the fields that will go on to fuel the economy of their world. But remove them from the scene and what happens? Your traveler gets stranded, your commerce grinds to a halt, and war becomes a matter of foot soldiers with entirely different tactics, moving at a whole different pace. Even the lowly donkey is an economic driver in some parts of the world, putting its lucky owner one up on the guy who doesn't own one. Will said owner hotly pursue some jerk stealing it? Probably. Personally, I would laugh very hard at the notion of a hero stealing a horse unopposed and riding merrily away. There's a reason horse-stealing was a hanging offense in the Old West.

Horses are perfectly capable of causing massive plot mayhem all by themselves without anyone laying a hand on them, bad guys charging from ambush, or other unlikely meetings of human beings at awkward times. It is really satisfying when a writer uses a horse's natural proclivities to inconvenience his hero or put one over on the enemy. Hopefully this has given you a few ideas.

'Til next time!

12 comments:

Trisha said...

Speaking of horse theft, it's still a federal felony to steal horses in the U.S. _to this day_!

Also, there's lots of fun plot device mayhem with multiple horses on the road! Horses do _not_ always get along with each other. Each have their own idea of a proper space bubble, and I've met more than enough geldings who do not realized their gelded... and make some serious passes at mares. Most mares then try and beat the crap out of the geldings... not fun for either rider!

Thank you so much for this great blog series, Sue!

Works of S.A. Bolich said...

Perfectly true, Trisha! The striking and squealing and general surliness is absolutely both tiresome and a genuine hazard if it gets bad enough. Not to mention the horse that won't keep up and the one who hates being in a crowd and the one who is more interested in eating than walking... This is a whole post in itself!

Unknown said...

I would love to see the post on equine personalities, manners, sexuality, etc. (More than one post there, I think!)

Lou

Terri Bruce said...

I've never understood how large groups of strange horses (horses that are strangers to each other) ever worked - like when they brought horse dependent armies together or even the town hitching post in the old west. How was there not general antogonistic horsie mayhem?

Works of S.A. Bolich said...

There will be definitely be a post soon on horsey personalities, as they can be as much a driver of plot as anything.

Lou, as to large groups of horses, there are ways to tie them so that they can't reach each other and do much damage. And, since most cavalry units were organized as permanent troops, the horses quickly became stable buddies after the initial pecking order was established and everyone knew their place. Under saddle, most horses are well enough trained to leave the rest alone, and if not, the rider should have brains enough to put a stop to it or take his horse far enough way that it's not a problem. Take a look at the scene in The Two Towers where Gandalf appears on the hill above Helm's Deep between Eomer and another rider. Shadowfax lays his ears back and makes ugly faces at the others but doesn't pursue it, likely knowing he'll get reprimanded if he does.

Elizabeth Barrette said...

I happen to have a poetic series where horses and their absence provide a running thread that distinguishes a low fantasy setting. I wrote an analysis of that spanning several poems:
http://ysabetwordsmith.livejournal.com/2136583.html

msminlr said...

Regarding horsey sexuality; David Niven told a tale in his memoir "The Moon's a Balloon" of a mishap during the filming of a parade scene in "The Prisoner of Zenda". Seems his horse was a normally phlegmatic mare, only she was In Season, and the actor behind him in the parade was riding a stallion...

Works of S.A. Bolich said...

Msminir... ooops! I've seen stallions that were such gentleman they would never react to that, and geldings so studdy they would climb through fences on hope and were downright dangerous.

Works of S.A. Bolich said...

Elizabeth, thank you for the shout-out on your blog. That is an interesting series of poems and situations you have there. I especially like your use of the goats. Nearly any animal can be drafted to pull, and has been in the course of history, even zebras. The economics of losing livestock can be devastating, and force new and original uses for what's left.

Sue Burke said...

A television director here in Spain said it's hard to work with horses because they're smart, but they learn the wrong things. In one scene, a character was beset by brigands as she was riding along. When they went to film the scene again from another angle, her horse saw the brigands coming and ran the other way.

Works of S.A. Bolich said...

Hi, Sue. That's funny, and I'm not surprised. You can inadvertently teach horses the entirely wrong thing (to be afraid, to ignore you, to answer the wrong cues, etc.) and they will remember it forever. Retraining can take a long time. Hopefully the director was patient!

anarchist said...

Hi,

Apologies for the off-topic comment, but I couldn't find a contact email for you.

I recently put out an ebook of my writing, called The New Death and others. It's a collection of short pieces, mostly dark fantasy.

I was wondering if you'd be interested in doing a review on your blog.

If so, please email me: news@apolitical.info. Let me know what file format is easiest for you, and I'll send you a free copy.

You can download a sample from the ebook's page on Smashwords:

http://www.smashwords.com/books/view/92126

I'm also happy to do interviews, guest posts, or giveaways. Just let me know what you'd prefer.

Yours,
James.